Das landschaftliche Motiv einer pfälzischen Landschaft am Rande des Haardtgebirges wird von Josef Doerr in eine Komposition runder und fließender Formen übersetzt. Einzig die Form eines Kirchturms am rechten Bildrand durchsticht die im Bildraum woogende Fülle vor dem Hintergrund grüner Bergkuppen.
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